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[\/et_pb_text][et_pb_text admin_label=“Presse Text“ _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ global_colors_info=“{}“ theme_builder_area=“post_content“]<\/p>\n
La mise en sc\u00e8ne devient magique \u00e0 chaque fois que la merveilleuse Friederike Harmsen intervient, on ne peut pas faire plus post-dramatique, ni plus \u00e9poustouflant, ni plus fascinant. \n(theater pur)<\/p>\n
- La soir\u00e9e d\u00e9montre une grande force de suggestion. Les discours du chef terroriste sont scand\u00e9s au rythme des arias, interrompus et accompagn\u00e9s par le chant v\u00e9ritablement divin de la soprano Friederike Harmsen. (RBB kulturradio)<\/p>\n
- Lorsque \u2014 dans cette f\u00eate du chaos et du provisoire \u2014 la soprano Friederike Harmsen nous offre un magnifique Ave Maria, on comprend la connivence avec le collectif Das Helmi. (Neue Presse)<\/p>\n
La fa\u00e7on dont Friederike Harmsen raconte en souriant, les dents serr\u00e9es, que sa fille joue pour le T\u00fcrkiyemspor, mais qu'elle-m\u00eame pr\u00e9f\u00e8re rester \u00e0 l'\u00e9cart de ces gens, est formidable. (Berliner Zeitung)<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“ theme_builder_area=“post_content“][et_pb_image src=“https:\/\/friederikeharmsen.de\/wp-content\/uploads\/2016\/11\/presse.jpg“ align=“right“ src_tablet=“https:\/\/friederikeharmsen.de\/wp-content\/uploads\/2016\/11\/presse.jpg“ src_phone=“https:\/\/friederikeharmsen.de\/wp-content\/uploads\/2016\/11\/presse.jpg“ src_last_edited=“on|desktop“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ admin_label=“Bild“ _builder_version=“4.17.4″ width_tablet=““ width_phone=““ width_last_edited=“on|phone“ max_width_tablet=““ max_width_phone=““ max_width_last_edited=“on|phone“ animation_style=“slide“ animation_direction=“left“ animation_duration=“500ms“ animation_intensity_slide=“10%“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ animation=“left“ sticky=“off“ always_center_on_mobile=“on“ global_colors_info=“{}“ theme_builder_area=“post_content“][\/et_pb_image][et_pb_text admin_label=“Presse Faust Marathon Salzburger Festspiele Thalia Theater Hamburg“ _builder_version=“4.17.6″ text_font=“||||||||“ text_text_color=“#5b666d“ text_line_height=“1.5em“ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_margin_tablet=““ custom_margin_phone=““ custom_margin_last_edited=“on|desktop“ custom_css_main_element=“font-weight: 300;“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ locked=“off“ global_colors_info=“{}“ theme_builder_area=“post_content“]<\/p>\n
Marathon Faust aux Salzburger Festspiele (Festival de Salzbourg) et au Thalia Theater de Hambourg<\/p>\n
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Presse Magisch wird die Inszenierung immer dann, wenn die wunderbare Friederike Harmsen eingreift, postdramatischer geht\u2019s nimmer, atemberaubender, faszinierender auch nicht. (theater pur) – der Abend entwickelt eine gro\u00dfe suggestive Kraft. Die Reden des Terroristenf\u00fchrers werden im Rhythmus der Arien skandiert, unterbrochen und begleitet vom wahrhaft g\u00f6ttlichen Gesang der Sopranistin Friederike Harmsen. (RBB kulturradio) – Wenn […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-28408","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/pages\/28408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/comments?post=28408"}],"version-history":[{"count":4,"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/pages\/28408\/revisions"}],"predecessor-version":[{"id":31587,"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/pages\/28408\/revisions\/31587"}],"wp:attachment":[{"href":"https:\/\/friederikeharmsen.de\/fr\/wp-json\/wp\/v2\/media?parent=28408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}